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Mimmo
Rotella
the Calabria painter who conceived dècollage,
a master of Pop Art
Mimmo Rotella was born in Catanzaro on the 7th of October 1918. Since
the 1950s, MIMMO ROTELLA has created images by manipulating preexisting
ones. Using a reductive decollage process, ROTELLA tears at the surfaces
of the posters and advertisements that mark the landscape of the urban
environment, literally and figuratively exposing the multiple layers
of this everyday imagery. In his most recent work, ROTELLA focuses on
images of fashion and nature, confronting parallel issues of the cyclical
nature of the seasons. His gestural rips transform the mechanically
reproduced images into unique compositions by revealing layers of related
material beneath their surfaces.
ROTELLA's artificial aging process calls into question the authenticity
of fresh flowers and youthful models as signifiers of the prime of life
by bringing attention to their temporary nature. In the fashion images,
the addition of painted words addresses the relationship of advertisement
and graffiti as urban message bearers. By re-presenting, rather than
representing his subject matter, ROTELLA brings a fresh and personal
meaning to mass media and takes an active role in the definition of
his visual environment.

Marilyn, a Special Swatch designed by Calabrian
artist Mimmo Rotella comes from a set of Swatch with Bengala. (1998)
MIMMO
ROTELLA has exhibited extensively around the world, and has been the
subject of numerous retrospectives throughout Europe and the United
States. In 1964, ROTELLA represented his native Italy in the Venice
Biennale. His work is included in prominent public collections including
the Musée d'Art Moderne de la Ville, Paris Museum Ludwig, Köln,
the Art Institute of Chicago, the Hara Museum in Tokyo, and the Stedelijk
Museum in Amsterdam. This is his first solo exhibition with the Charles
Cowles Gallery.
In
1999 the Mayor of his natal city, Sergio Abramo, signed a City Council
order authorizing Rotella to freely remove posters in Catanzaro and
its environs.

Casablanca,
1963-1983
dècollage, 100x126 cm
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Gli
sposati, 1961-1970
dècollage, 140x100 cm
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Printemps,
1991
dècollage on metal
150x100 cm
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Un
giorno di vacanza, 1990-1995 painting on dècollage on metal,
150x100 cm
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L'adolescente,
1962
dècollage, 28x23,5 cm
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La
donna nel bicchiere, 1973 artypo, 66,5x65,5
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